Premiere Color Management | What's New in Premiere Pro (beta)

Introduction

Adobe Premiere Pro has introduced an entirely new color management system that offers a seamless way to mix and match footage from various cameras. This advancement allows editors to balance their images more efficiently, creating a superior starting point without the need to manually apply LUTs. The new color management system automatically tone maps raw video and log footage from nearly every camera to SDR (Standard Dynamic Range) and HDR (High Dynamic Range) as soon as clips are placed in the timeline.

Set It and Forget It

With this updated feature, users can experience a “set it and forget it” approach, supported by six new color management presets. These presets take care of the heavy lifting, providing deep customization options for professionals who wish to explore advanced settings. By default, the system maintains the familiar look and feel that users have come to expect in Premiere Pro.

Enhanced Color Spaces

Users now have the option to process all image and color operations within the traditional Rec 709 color space or through the new Asus CCT color space. The Asus CCT color space is designed for a wide gamut and high fidelity, catering to modern HDR color work. This upgrade enhances Premiere Pro’s popular effects, such as Lumetri, making them color space aware. Consequently, the native format of clips becomes part of the color correction pipeline, particularly when working in a wide gamut preset. This refinement allows for improved skin tones, increased dynamic range, and overall better color representation.

Dynamic LUT Adaptation

Editors who utilize LUTs for creative looks will benefit from their dynamic adjustments to SDR or HDR, depending on the source settings. This capability simplifies the grading process, helping achieve a perfect visual result. Additionally, color-managed After Effects compositions will now appear seamlessly within the Premiere Pro timeline when using Dynamic Link.

Conclusion

In summary, Premiere Pro’s advanced color management system streamlines the color grading process while ensuring better skin tones, effective tone mapping, and vibrant colors that pop. This innovative feature set is currently available in the beta version of Premiere Pro for users to download and try.

Keywords

Premiere Pro
Color Management
SDR
HDR
Tone Mapping
Asus CCT
Rec 709
Dynamic Link
LUTs
Lumetri
Wide Gamut
Beta Version

FAQ

Q: What is the new color management system in Premiere Pro?
A: The new color management system in Premiere Pro simplifies the integration of footage from multiple cameras by automatically tone mapping raw video and log footage to SDR and HDR.

Q: How many color management presets are available?
A: There are six new color management presets available, offering both automated and customizable options.

Q: What color spaces can I use in Premiere Pro?
A: Users can choose to process images in the traditional Rec 709 color space or the new Asus CCT color space, which is designed for high fidelity and wide gamut.

Q: What benefits do color space-aware effects provide?
A: Color space-aware effects, like Lumetri, integrate the clip's native format into color correction workflows, offering improved skin tones, better dynamic range, and enhanced overall color quality.

Q: Are LUTs still usable in the new system?
A: Yes, LUTs can be used for creative looks, and they will dynamically adapt to SDR or HDR based on your source settings, making it easier to achieve perfect grading.

Q: When is the new color management feature available?
A: The advanced color management system is available in the beta version of Premiere Pro, which can be downloaded for testing.